And why not? All of Platée (or almost all of it), transcribed and reduced for two harpsichords, in the tradition of the salons of the 17th century. With its burlesque spirit and the inventiveness and richness of its musical language, Rameau's genial comedy-ballet offers Lucie Chabard and Baptiste Guittet a magnificent playground for transposing Baroque affects, from joy to despair, via humour and madness, with the thousand colours of their instruments. The baroque setting of the Chapelle des...